What is a jazz funeral and how did they get started?
August 19 2020·
August 19 2020·
The tradition blends strong European and African cultural influences. Louisiana’s colonial past gave it a tradition of military style brass bands which were called on for many occasions, including playing funeral processions. This was combined with African spiritual practices, specifically the Yoruba tribe of Nigeria and other parts of West Africa. Jazz funerals are also heavily influenced by early twentieth century African American Protestant and Catholic churches, black brass bands, and the Haitian Voodoo idea of celebrating after death in order to please the spirits who protect the dead. Another group that has influenced jazz funerals is the Mardi Gras Indians. The tradition was widespread among New Orleanians across ethnic boundaries at the start of the 20th century. As the common brass band music became wilder in the years before WWl , some white New Orleanians considered the hot music disrespectful, and such musical funerals became rare among the city's white citizens. After the 1960s, it gradually started being practised across ethnic and religious boundaries. Most commonly such musical funerals are done for individuals who are musicians themselves, connected to the music industry, or members of various social aid and pleasure clubs or Carnival Krewes who make a point of arranging for such funerals for members. Although the majority of jazz funerals are for African American musicians there has been a new trend in which jazz funerals are given to young people who have died. The organizers of the funeral arrange for hiring the band as part of the services. When a respected fellow musician or prominent member of the community dies, some additional musicians may also play in the procession as a sign of their esteem for the deceased. A typical jazz funeral begins with a march by the family, friends, and a brass band from the home, funeral home or church to the cemetery. Throughout the march, the band plays somber dirges and hymns. A change in the tenor of the ceremony takes place, after either the deceased is entombed, or the hearse leaves the procession and members of the procession say their final goodbye and they "cut the body loose".